The first effects panel, Dissonance, creates timbres that, coupled with modulation, are spot-on for sci-fi FX, dubstep warbles and futuristic soundscapes. There are MIDI control options too, naturally. The envelopes have a novel 'echo' function that causes them to repeat. Modulation is provided by three envelopes, two syncable LFOs and a 'sidechain' (it basically multiplies two mod sources together). There are killer vowel and formant filters, and a vocoder option - route a sidechain signal into Razor for some of the gnarliest vocoding you'll ever hear. The rest is made up of oddities like 'waterbed', 'unisono noise' and 'gaps' the latter brutally masks out certain partials, like an extreme phaser. Wicked!Įqually twisted are the two filter sections, each with an almost entirely different set of 11 types, with only low-pass and band-pass shared between them. There's even a Hoover waveform for rave-tastic Roland Alpha Juno-esque bass/midrange noises.
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